I made it all the way to the seventeenth book in Louise Penny’s mystery series before I burst into tears. I am a person of deep and powerful feelings, but that’s how difficult it is for me to cry. My problem is an ordinary, predictable one: I was socialized as a boy in the upper Midwest by the children of prairie farmers. Boys don’t cry. Farmers don’t cry. Midwesterners definitely don’t cry.
I wish this were not so, if only because, as Rosey Grier sings so memorably in that 1970s musical, Free to Be You and Me, “It’s alright to cry; crying gets the sad out of you.” And in these days of vocational challenges and personal grief, I surely have “sad in me.” But we all do, don’t we? We feel furious sadness as we lament the relentless warfare that ravages Philip’s wilderness road from Jerusalem to Gaza. We lose sleep contemplating climate devastation and our precarious, beleaguered democracy. It’s rough out there, and our gathered community is in profound need of the Good News. It is alright to cry.
So maybe you think I need a new author, someone who doesn’t have to write seventeen books to get me to cry. In fact I do need a new author: I’ve finished Louise Penny’s eighteen published mysteries, and number 19 doesn’t come out until October. But it’s really not her fault that it took her so long to find the sad in me and get it out. She’s good. She’s insightful and funny, and she has a knack for finding and reflecting on deep truths. I recommend her. And her characters cry plenty themselves, and they deeply move me.