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Last week, I watched a 2022 documentary produced and directed by the comedian W. Kamau Bell called “We Need to Talk about Cosby.” Now, these days, if you say you have deep thoughts and feelings about Bill Cosby, you are revealing that you are probably over the age of forty. My friend and former seminary classmate Josh is just thirty years old. I asked him, “Has Bill Cosby meant a lot to you?” He said, “No, not really.” But for me, as a teenager in the 1980s, I delighted in the many artistic gifts and achievements of Bill Cosby. I adored his sitcom, a colossal mega-hit that at one point attracted more than sixty million viewers. (Hit TV shows these days are lucky to reach twenty million.) But I remember “Fat Albert,” too. And “Picture Pages,” and its catchy theme song. I listened to Cosby’s comedy specials on my Walkman.
Bill Cosby was everywhere. He dominated popular-U.S. culture for decades. He broke barriers as an entertainer of color, even though he caused some controversy within the Black community because he essentially played by the white man’s rules. His consistently positive, disarming affect was criticized for papering over racial injustice. White folks could laugh along with Bill Cosby and go back to sleep. And now, forty years after the height of Cosby’s fame, when section 2 of the Voting Rights Act is under threat, we are painfully reminded every day that the nation is all too far from realizing the dream of Dr. King.