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Early on the first day of the week, while it was still dark, Mary Magdalene came to the tomb.
Mary was up all night. Was she a “morning lark” up early, or a “night owl” out late? Neither one, I say: She just had a bad night. In this hardship, she is our companion: you’ve surely had some bad nights. You came here this morning while it was still dark: I doubt you slept all that much lastnight.
Coming to the tomb before dawn; coming to church before dawn; getting up and out of the house when you can’t stop thinking about everything: We all know this. We’re all restless. Mary found her way to the tomb before dawn because she was restless.
She was grieving of course, and this great feast of Resurrection is at least in part about human grief, the kind of grief that wakes you in the night, and haunts you day and night. Mary’s closest friend and beloved teacher had been publicly executed, dashing everyone’s hopes — and profoundly traumatizing all of them, too. It took almost four centuries for Christians to make visual art about the crucifixion. This is generational trauma.